This is some video shot before Thanksgiving, a week spent on a barrier island in the Chesapeake off the coast of Mathews County.
The trip started with storms and high winds and coastal flooding. A really rough crossing. Within a few days, it blew itself out and left behind sunshine and impossible stillness.
Once you get about 40 seconds into the video, the wind noise dissipates. Then you can hear birds in the marsh, waves, a crackling fire, and Great Horned Owls.
One quiet evening after a beach bonfire, T and I were out staring up at the stars. The peaceful silence was broken by the screams of a rabbit caught in the talons of an owl. The sound was so frightening T grabbed my arm and left a bruise. 🙂
By mid-week we could take the new kayaks out into the tidal creeks. T has the blue Chuckanut 12s, and I have the larger white Chuckanut 15, both designed by good friend Dave Gentry of Gentry Custom Boats. (Plans available through Duckworks.)
A few years ago, I brought one of the Melonseeds here, and had some marvelous sailing. But the inlets have filled in even more since then. At the south end, where steamboats once came into the harbor, you can now wade across the inlet and not get your knees wet. The island is shorter by a hundred yards.
With the creeks silting in, and the weather looking iffy, I was glad to have the new kayaks to bring along. I was often paddling over the mud in less than 3 inches of water.
You can read about the island in previous posts starting here:
T is interested in a small, light boat that she can manage on her own. My hunch is a skin-on-frame kayak is just the ticket. Conveniently, one of the most well-known skin-on-frame boat designers lives nearby – friend Dave Gentry.
Dave now has dozens of incredibly varied designs; everything from kid-size kayaks and standup paddle boards, to sailing craft, rowing sculls, dinghies, and a new motor canoe. He always seems to have new designs for floaty things on the drawing board. All are light, durable, relatively easy and inexpensive to build.
One of his most popular models comes in five sizes: the Chuckanut series of open cockpit kayaks ranges from 10 feet to 17. His Chuckanut 12 hits the sweet spot for many solo paddlers, and the “S” version of the 12 is more slender, just right for smaller statures. He offered to bring one over to the local pond for us to try out. On this lovely evening, he arrived with not one boat to try, but four!
Here’s some video from the tryouts. Just a lovely, pleasant evening all around.
Most of the boats Dave has on hand are prototypes. These are the boats he builds to work out construction details. From these he derives the final designs that make it into the plans. Some of these “test boats” he sells or gives to family, a few stay around as part of his personal stable.
Today, in addition to the Chuckanut 12s, he brought a big motor canoe (one of the new designs), a clear-skinned “glass bottom” Wee Lassie, and a tiny canoe built special for his 8 year old daughter, complete with pool floatie outriggers like training wheels on a bike. All on top of, inside, and towed behind his little Subaru wagon.
The Chuckanut 12s fit T perfectly. At around 25 pounds, she can lift it with one hand. In the water, it’s stable and easy to paddle, even for an inexperienced paddler, and tracks well for its short waterline. Once she got inside, she didn’t come out until time to leave. We spent a lovely couple of hours playing around as the sun went down.
I took the Wee Lassie, which is almost too small for my 6 foot 180 pound frame, but a fun boat to play around in. Dave says the transparent skin is not very practical – it’s hard to work with the PVC, which stretches only when you don’t want it to, and is not as durable as fabric. He built it for display at boat shows to reveal the framing. And it actually worked – both as a boat and attention draw. It is pretty cool looking.
Despite advising against it, a number of other boats in different models have been built this way, both by Dave and by customers. The effect is clearly best in super clear water; but even in our murky green reservoir, it was nice to see the sunlight sparking through the sides, and watch the plants gliding by.
Dave and his daughter settled in to the big motor canoe. He uses a small 12 volt trolling motor that he customized with a varnished wood cowling – new tech with a vintage look. They spent the whole time exploring the shoreline, sneaking up on herons, and zipping back and forth around the lake.
The big canoe, with the two of them, is so light it’s easily driven by the little motor and a small battery – smaller than a lunch box. Takes so little power, Dave says, by the end of the evening it would still show fully charged.
The test run is a success. Next step is to build one for T. After that, maybe one for me.
A couple of videos of cool kinetic art installations by a collective of engineers calling themselves Breakfast. In most cases, the pieces are interactive, responding to stimuli in a shared space. In others, they pull data streams in from discrete locations on the web and present it visually. In some cases, a piece does both.
Concrete, when dry, cemented and stuck. The body, delicate. When the mind is pushed, the potential of the defense system is revealed. Blank canvases and raw environments. The complexities of human nature exposed. Depth of understanding to the natural course. Society’s normality can’t enslave us. The mind pushes to the body. The mind pushes towards the weak flesh. A rebound effect that continues. This is a universal temptation that repeats through time.
Filmed in Los Angeles, USA
Directors: Kevin McGloughlin + Jacob Jonas
Choreographer: Jacob Jonas
Featuring: Emma Rosenzweig-Bock
Music & Sound Design: Max Cooper
Vocal: Samad Khan
Cinematographer & Color: Shaun Boyte
Animation & Edit: Kevin McGloughlin
Assistant Editor: Joy Isabella Brown
Jacob Jonas The Company
Executive Producer/Creative Director: Jacob Jonas
Producers: Jill Wilson, Emma Rosenzweig-Bock, Mathieu Wothke
Associate Producers: Joy Isabella Brown, Francisco Cruz, Steve Hackman, Emily Kikta, Rubberlegz, Anibal Sandoval, Mike Tyus, Peter Walker
IN PARTNERSHIP WITH:
Joan W. and Irving B. Harris Theater for Music and Dance
Wallis Annenberg Center for the Performing Arts
Younes and Soraya Nazarian Center for the Performing Arts
In their quest to identify the pollinator of the ghost orchid for the first time, a team of explorers, photographers, and filmmakers spent three summers standing waist-deep in alligator- and snake-laden water, swatting air blackened by mosquitoes, and climbing to sometimes nausea-inducing heights. They came away with a startling new discovery – and an even deeper love for Florida’s wildest wetlands – revelations that may help to conserve both the endangered orchid and its shrinking home.
WINNER, ‘ECOSYSTEM’ SHORT FORM – JACKSON WILD MEDIA AWARDS
WINNER, ‘SCIENCE IN NATURE’ SHORT FORM – JACKSON WILD MEDIA AWARDS
WINNER, ‘LIVING FORESTS’ – WORLD WILDLIFE DAY SHOWCASE
Produced by Grizzly Creek Films in partnership with bioGraphic: